The new Strokes album, Angles, is good enough to eat.

Strokes Angles

Shame it looks like such a dog’s dinner. Anyway, words I wrote for the BBC below… read the full review here.

“Time isn’t kind to the cool. Disappear for too long, and nobody bats an eyelid when you return, fanfare conspicuous by its utter absence. Arriving over five years since their last LP, 2006’s First Impressions of Earth, white-hot-back-when NYC combo The Strokes could have so easily found themselves piled beside the likes of Razorlight and Toploader in the pile of re-emerging artists probably without a place in 2011. But they’ve avoided such a fate by putting together what might actually be their very best record yet.

“Yes, you read that right: Angles isn’t just the equal of the band’s lightning-in-a-bottle debut of 2001, Is This It, it might be better. There are several moments here where the five-piece exhibit an infectious immediacy that’s presented in parallel with some genuine ingenuity, and the effect on the listener is to stop what they’re doing, focus fully on what’s unfolding, and then rewind to hear it over again. Take the strutting punk-funk bass of Two Kinds of Happiness – unremarkable in isolation, but soldered to sprightly percussion and real yearning in Julian Casablancas’ voice, as well as some frenetic six-string fret-work, it’s a vital constituent of a whole that’s fairly flabbergasting. If rendered graphically, one would have to picture early U2 and Talking Heads on a seesaw with The National acting as a fulcrum…”


The Strokes – Under Cover of Darkness


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